Backups can be stored on a separate server to your site.You can choose to run manual or automated updates (even with the free version).Let’s look quickly at some of its key features: Plus, you can easily restore backups directly from the WordPress back end. In addition, you can schedule backups or run them manually. You can store backups locally or via the cloud using services such as Dropbox or OneDrive. UpdraftPlus is one of the most popular free backup plugins available for WordPress websites. For each plugin, we’ll outline its features and offer a reason why you may wish to choose it over VaultPress. Below you will find six VaultPress alternatives for managing your backups. The good news is that VaultPress is not the only fish in the sea. Six VaultPress alternatives for managing backups on your WordPress website So if you want to use VaultPress on multiple WordPress sites, that cost can add up fast. VaultPress/Jetpack also doesn’t offer discounted prices for multiple sites like many other WordPress plugins – you pay the exact same rate for every site you use. If you want an unlimited backup archive, you’ll need to upgrade to a higher plan that will cost you $29 per month per website. For instance, VaultPress provides automated, real-time cloud backups for $3.50 per month, but these plans only store your backup for 30 days. However, if you prefer a more simple solution for automating backups, you’ll likely want to look for a standalone plugin.Īnother factor to consider is pricing. For some, this is not an issue as Jetpack offers a number of powerful features, such as performance enhancements and social media sharing. As such, you’ll need a subscription to use VaultPress. For starters, while it used to be a stand-alone service, VaultPress is now a part of Jetpack’s suite of tools. However, this doesn’t mean it’s the right option for your website. For many, VaultPress has been the go-to plugin to handle this issue as it’s known for both excellent service and a near-perfect backup rate. If your site has ever been hacked or experienced a crash, you’ll understand how important a backup of your website is. So, while a bit unglamorous, backing up your WordPress sites is important.Why VaultPress may not be right for your website They offer phone support and will walk you through the restoration of files (even comments). VaultPress ($$$) I suggest that you look into Vault Press if you run a big site, e-commerce, anything that is absolutely mission critical. BackupBuddy ($$) I don't use BackupBuddy, so can't comment on it personally, but I know plenty of people who can't live without the service.ĥ. BlueHost SitePro Backup - this is inexpensive and obviously only if you are hosted with BlueHost, check your hosting provider for their products ($)Ĥ. You also aren't using memory on your hard drive and you can share access to the file with the client.ģ. WordPress Backup to Dropbox (Free) Now this one is helpful because not only can you backup both files and databases, it automatically stores them in DropBox, which means they are in a different location (not your hard drive or server). You can have a file emailed to you (or your client), or you can download a zip file to your computer.Ģ. If you go into the settings you can set a regular backup schedule. BackupWordPress by HumanMade (Free) I like this one and use it often. You need to make sure you have a system in place that backs up all files and databases.ġ. If you are in building mode, or if you are a daily blogger, then update daily.įirst, just in case you don't know, WordPress is comprised of two sections: your files and databases. You keep a copy on your hard drive and they can keep one on theirs. If you are a designer and have completed a site, a backup zip file emailed to a client is a good idea.
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The general premise of the Biefeld-Brown Effect is that highly charged capacitors can create thrusts or propulsive air without requiring any moving parts or combustion engines. Thomas Townsend Brown and his mentor/teacher Paul Alfred Biefeld named this effect during their research and experiments while at Denison University in Ohio. Brown believed that he could enable these particles to produce unlimited energy. The momentum of this thrust transfers to the nearby neutral particles. When an extremely high electrical voltage is applied to a set of a capacitor’s electrodes, it produces an ionic wind that thrusts from the negative terminal to the positive terminal. He began to believe that he had uncovered a mysterious force that could interact with gravity, thus enhance its ability to autogenerate energy and propulsion.īrown published, “How I Control Gravitation” in Science and Invention Magazine, where he reported that the eventuality of his tech would create exponential propulsion for the “ocean liners of the future.” While some have said that the US Government there is little publicly available proof that support these claims.Ī capacitor is a device used to store an electric charge. A coiled wire (tungsten filament) was used as the tube cathode (an electrode that emits electric current), which produces incandescence or light.īecause Brown’s Coolidge tube’s mass appeared to decrease when its electrode was facing up, and it tended to increase when it was facing down, Brown concluded that he had influenced gravity with the electrode, and therefore gravity.īrown went on to build large capacitors that produced similar fluctuations in the form of thrust. The young would-be scientist named Thomas Townsend Brown, who also imagined the name “Electrogravitics,” began experimenting with x-ray vacuum tubes in 1921.įor his experiments, Brown used the Coolidge tube, one of the first practical tubes used in thermionic emission, the emission of electrons from heated sources. Reports on “Electrogravitics Systems” and “The Gravitics Situation.” NASA still has not released the photograph.Įlectrogravitics is most commonly associated with the 1918 work by Professor Nipher, which preceded the 1921 experiments and eventual patents by Thomas Townsend Brown (1905-1985), the 1952 Navy’s Special Inquiry into the “Electro-Gravity Device of Townsend Brown” and the 1956 Aviation Studies Ltd. Astronaut Scott Carpenter referring to a UFO he photographed while in orbit on May 24, 1962. “At no time, when the astronauts were in space were they alone: there was a constant surveillance by UFOs.” Put quite simply if you test these theories with natural progressions, the probable advances in transportation and military technologies could transform human life as we know it. The innovative suppositions and theories in electrogravitics and electrokinetics, the base concepts for antigravity, point to the potential for tremendous technological advances. While conspiracy theorists love the subject, some say antigravity talk is cheap and comprised entirely of untested hype. Key government officials have said that the military has used antigravity tech for years. There have been thousands of attempts to produce measurable and scalable “antigravity,” a futuristic tech that theoretically produces unlimited energy for use in propulsion and other categories of technology. In astronomical terms, gravity dominates nuclear and electromagnetic forces, which, if implemented into relatable, Earth-based technologies, would create economic and scientific paradigm shifts. When Thomas Townsend Brown discovered that electrostatic and gravitational fields are closely intertwined, the world changed. Electrogravitics can be traced to Nikola Tesla’s work with high-voltage discharges in the late 1800s. Continued abuse of our services will cause your IP address to be blocked indefinitely. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. The two protagonists, Rallen and Jeena, are ordered to locate these sleeping beasts to help save the galaxy. The game's title refers to a group of prehistoric creatures lying dormant beneath a planet's surface. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. Spectrobes is a futuristic role-playing game that combines the collecting aspects of Pokmon with action-oriented, real-time combat. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior. 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My father and my brothers wanted to finish off Eddy Bellegueule long before, at a time when I was still trying to save him.Įddy grows up gay in a world where narrow norms of masculinity are strictly enforced. The book shows how-before I revolted against my childhood, my social class, my family, and, finally, my name-it was my milieu that revolted against me. It sounds dramatic, but yes, I wanted to kill him-he wasn’t me, he was the name of a childhood I hated. Who is Eddy Bellegueule, and why do you want to finish him off?Įddy Bellegueule is the name my parents gave me when I was born. It’s as if he’s taken the whole place and put it behind glass-like observing the inner workings of an anthill. The novel, which has earned Louis comparisons to Zola, Genet, and de Beauvoir, is set to appear in English later this year.Įddy Bellegueule can be read as a straightforward coming-of-age story, but beneath its narrative is an almost systematic examination of the norms and habits of the villagers-inspired, Louis has said, by the theories of the French sociologist Pierre Bourdieu. But hundreds of thousands of copies have sold in France, and the book is being translated into more than twenty languages. His publisher thought the first edition, two thousand copies, would last years. “We thought the book would be as invisible as the people it describes,” said Louis, who rejects any romantic views of the “authenticity” of working-class life. Now his account of life in that village, written when he was nineteen, has ignited a debate on class and inequality, foisting Louis into the center of French literary life.Įn finir avec Eddy Bellegueule (Finishing off Eddy Bellegueule ) is unsparing in its descriptions of the homophobia, alcoholism, and racism that animated Louis’s youth in Hallencourt. I’d be astonished if the author’s father doesn’t read it and recognise every word as real – and find in it a difficult joy.Édouard Louis, born in 1992, grew up in Hallencourt, a village in the north of France where many live below the poverty line. The Wikipedia entry on Édouard Louis describes this book (on 9 October 2019) as a novel. ‘Why do we never name these names?’ the words just about scream from the page. Though he suffers severe pain from the injury, policies brought in by the governments of Chirac, Sarkozy, Hollande and Macron ensure that he doesn’t receive the help he needs but must continue in demeaning and damaging work. The father is critically injured in an industrial accident. There’s a turn about 20 pages from the end. It’s a passionate, painful, complex monologue, full of rage and frustration, reaching a kind of climax when the teenaged son deliberately provokes a near-murderous family row, and in the end it’s a love letter. Your manhood condemned you to poverty, to lack of money. Masculinity – don’t act like a girl, don’t be a faggot – meant that you dropped out as fast as you could to show everyone you were strong, as soon as you could to show you were rebellious, and so, as far as I can tell, constructing your masculinity meant depriving yourself of any other life, any other future, any other prospect that school might have opened up. In all but the first couple of pages, Édouard Louis speaks to his father, who is still alive at the time of writing, presenting him (and, of course, us) with a mosaic of memories from which emerges a picture of how the father’s ‘male privilege’ and ‘hatred of homosexuality’ affected the son, but also the constricting and distorting effect they have had on the father: For a start, it wields a certain amount of intellectual heft (Ruth Gilmore is not the only scholar to illuminate the narrative). This is not an agony memoir, a whining portrait of a father who made his Gay son’s life a misery. The same definition holds with regard to male privilege, to hatred of homosexuality or trans people, to domination by class – to social and political oppression of all kinds. When asked what the word racism means to her, the American scholar Ruth Gilmore has said that racism is the exposure of certain populations to premature death. The opening sentences of Who Killed My Father – notice the absence of a question mark, also a feature of the French title Qui a tué mon père – says a lot: It’s as if it calls out to that book: ‘This is what it’s like inside your story!’ Édouard Louis is a young Gay man who has escaped from the working-class conditions that have destroyed his father’s life. Arthur, one of the sons of the mining family in Black Sheep, disappears overnight, and only we and his youngest brother Ted know that he has escaped rather than met with disaster. It was purely fortuitous that I read this book immediately after Susan Hill’s Black Sheep, but they make a beautiful pair. He has been seen many times with The Libertines and Babyshambles singer Pete Doherty. In 2006, he was voted 50th in the NME Rock Heroes List. The single was the best-selling festive-themed single of 2005, reaching number 3 in the UK Charts that year. That same year, The Pogues re-released "Fairytale of New York" to raise funds for the Justice For Kirsty Campaign and Crisis at Christmas. In May 2005, MacGowan rejoined The Pogues permanently. The Pogues and MacGowan reformed for a sell-out tour in 2001 and each year from 2004 to 2009 for further tours, including headline slots at Guilfest in England and the Azkena Rock Festival in the Basque Country. MacGowan depicted in the painting Boy From The County Hell by Brian Whelan From December 2003 up to May 2005, Shane MacGowan and The Popes toured extensively in the UK, Ireland and Europe. Selling over a million copies, the record contributed £2,125,000 to the charity's highest fundraising total in six years. It was the UK's number one single for three weeks, in two separate spells. In 1997, MacGowan appeared on Lou Reed's " Perfect Day", covered by numerous artists in aid of Children in Need. In the following years MacGowan and The Pogues released several albums.ġ992–2005: Shane MacGowan and The Popes Īfter The Pogues fired MacGowan for unprofessional behaviour mid-tour, he formed a new band, Shane MacGowan and The Popes, recording two studio albums, a live album, three tracks on The Popes Outlaw Heaven (2010) and a live DVD, and touring internationally. Between 19, he co-wrote " Fairytale of New York", which he performed with Kirsty MacColl. He has often cited the 19th-century Irish poet James Clarence Mangan and playwright Brendan Behan as influences. These influences are documented in the biography Rake at the Gates of Hell: Shane MacGowan in Context. Many of his songs are influenced by Irish nationalism, Irish history, the experiences of the Irish diaspora (particularly in England and the United States), and London life in general. MacGowan drew upon his Irish heritage when founding The Pogues and changed his early punk style for a more traditional sound with tutoring from his extended family. Shortly after this, he formed his own punk band called The Nipple Erectors.Ĭareer 1982–1991: Leading The Pogues A photographer took a picture of him covered in blood, which made the local papers with the headline "Cannibalism at Clash Gig". He was first publicly noted in 1976 at a concert by London punk rock band The Clash, where his earlobe was damaged by future Mo-dettes bassist Jane Crockford. He was found in possession of drugs and expelled in his second year. In 1971, he graduated with a literature scholarship from Holmewood House preparatory school in Langton Green, Kent, and was subsequently accepted into Westminster School. MacGowan lived in many parts of southeast England such as Brighton, London, and London's home counties, and attended an English public school. He spent childhood holidays in County Tipperary, though never resided in Ireland. MacGowan's younger sister, Siobhan MacGowan, became a journalist, writer, and songwriter. His father, Maurice, came from a middle-class background and worked in the offices of department store C&A he was, in his own words, a "local roustabout". His mother, Therese, worked as a typist at a convent and had previously been a singer, traditional Irish dancer, and model. His father was from Dublin and his mother was from Tipperary. MacGowan was born on 25 December 1957 in Pembury, Kent, the son of Irish immigrants. Baron Hobhouse, studying some of these arguments as set forth in letters Have developed some impressively convoluted arguments to promote their point Matter and who feel strongly that there is something amiss with the result Those who are unwilling to accept the clarity of simple arithmetic in this Years, it is incorrect to label it the 20th century, which began January 1,ġ901, and will end on December 31, 2000. While the period 1900-1999 is of course a century, as is any period of 100 100 the second century began with the year A.D. One must complete 100 years the first century of our era ran from the beginning In fact, there has never been a system of recording reigns, dynasties, orĮras that did not designate its first year as the year 1. As historiansĪnd others involved in measuring time continue to remind us, there was no yearĠ. We have merely arrived at the last year of the 20th century. Have embarked on a new century! Haven't we? The answer is no, we have not Obviously, when we must begin to date them starting with 20, we Write, we have dated our documents with year designations beginning with theĭigits 19. The source of the confusion is easy to discern ever since learning how to The present bibliography documents the controversyĪs it has arisen at the end of the 17th, 18th, and 19th centuries, as well asĪ few skirmishes in the quarrel that has begun to develop with the approach of When the encyclopedia of human folly comes to be written, a page must be reservedįor the minor imbecility of the battle of the centuries-the clamorous disputeĪs to when a century ends. The bibliography is also available for $2.75 from the Superintendent of Documents, Point between the 19th and 20th centuries.įrom the Library of Congress FTP site the bibliography is available in ASCIIĪnd Word Perfect 5.1 ( ). The cover of the 57-page pamphlet shows Father Time pondering the dividing The chairman of the Arts Council in Britian pointed out in 1990 that "you can Who call attention to the error are ignored, if not ridiculed. Made to usher in the 21st century and the third millenium-a year early. However, as a more recent writer has noted, "the world has voted with itsĬheque book in the debate, "and indeed many elaborate plans have already been Would be renewed at the approach of the year 2000, and that their "great grandchildren.willĬonsult the files of the Times.for arguments to show that 1999 Several of them foresaw that the struggle These references are enlivened by many quotations from some of the more spiritedĭisputants who wrote a century ago. Freitag, a staff member of the Science and Technology division,Ĭites more than 200 pamphlets and articles in periodicals and newspapers, beginningĪt the close of the 17th century, that relate to the conflict. The Battle of the Centuries, a list of referencesĬompiled by Ruth S. The matter so unacceptable that the resulting controversy has generatedĪ chronological guide to such writings was recently published by the Library On any other simple arithmetical fact." Yet many find the truth of Of the twentieth century any more than there can be a question of opinion Naval Observatory remarked nearly 100 years ago, "ThereĬan be no question of 'opinion' as to the date of the commencement That the very existence of a dispute is puzzling. When does the century end? This simple question has such a simple answer Press Release: New LC Bibliography Offers Guide to Centurial Feud Arrangement and Indexing of Entries & Location.Battle of the Centuries (Science Reference Services, Library of Congress) TheĬompiled by Ruth Freitag, Senior Science Specialist please pass me on to relevant tutorials if you have found one. Just stays within the clip or does nothing.help?ģ) lastly, my movie is quite large and i was wondering if you can load swfs inside flash movies.and load them separate.like u would if you had a html page? for example i don't want to load my gallery or music page unless they click on the page where it should load then.Īnd if you want to offer files off a flash movie do u just make a button and use getURL ? the problem with this, is you can't load it internally within the flash movie. Script to play to where the content is on the clip and go to frame 1 on all other scenes using e.g _(1) which also works fineīetween clips however i want to go back to the main stage and play frame 10Īnd i can't im sure im doing something wrong cos all the _root.gotoAndPlay(10) i have avoided playing with scenes and made all my "pages" mov clips and within the clips i have Playing for it to pause or stop, how can i do this? im guessing aĢ) second, my site is built from the main stage. Mainstage can send 32 discrete audio signals to your X32 compact over a. Which works fine however i want to when u click play and the clip is already Many music player apps can apply EQ if required. So i have a frame with the music on and a play button going to thatĪnd a stop button with the command stop all sounds,etc You need the crossfade feature so that you can have smooth and seamless transitions. These two features are crucial for playing pads in a worship context. 1) i want to incorporate a basic music player in my flash player Step 5 - Download the Neutron Music Player (Eval) app) The Neutron music player is a free app that gives you the ability to loop and crossfade your pad audio files. An insurer also has the opportunity to challenge any damages awarded by an appropriate appeal. Under the Fifth District’s decision in Fridman, an insured recovers all that he is entitled to under the policy, an unnecessary trial on damages is avoided, and the insured is free to establish his damages in a subsequent bad faith action. The Second District, however, declined to review any claims of error raised by Geico that may have impacted the amount of damages awarded in the verdict, noting that any such errors were harmless in light of the $50,000 judgment that was ultimately entered. In Bottini, the jury returned a $30,872,266 verdict in favor of the insured. 2d DCA 2012), appellate courts are precluded from reviewing whether excess verdicts are reasonably supported by the evidence, or if any error improperly affected their amount, unless the complained of error otherwise affects the judgment entered for policy limits. The result in King is necessary in order to provide the insurer procedural due process in the review of excess jury verdicts. As a result, the insured will be forced to present his damages claim twice, with two separate juries being forced to hear it. In the subsequent bad faith litigation, the federal judge refused to give preclusive effect to the excess jury verdict, and held that the jury verdict was not an element of damages in that litigation. 2012), the jury returned a $1.6 million excess verdict in a UM case, with judgment being entered for the UM limits of $25,000. The dissent’s position, however, is impractical in light of other courts’ treatment of excess verdicts. An insurer’s agreement to pay policy limits, which is all that the insured can recover, is thus both supported by precedent and practical in that it obviates the need for a trial. As a result, judgments entered against an insurer must be limited to the policy limits. The majority position, however, is both consistent with Florida precedent and the more practical approach.įlorida law is clear that an insured cannot recover more than the policy limits in a UM lawsuit. Judge Sawaya disagreed with the majority decision in a 17-page dissent, claiming that the decision was unprecedented and impractical. The majority then declared that the jury verdict was a nullity, and directed the trial court to enter an amended final judgment deleting any reference to the jury verdict obtained and declining to reserve jurisdiction to amend the complaint to add a bad faith claim. The Fifth District further held that that Safeco’s confessed judgment in the amount of the UM limits provided a sufficient basis to pursue a bad faith action, in which action the insured could prove his damages. The Fifth District concluded that the issue before the trial court as framed by the pleadings-the demand for $50,000 UM benefits-had been rendered moot by Safeco’s confession of judgment. The Fifth District, in a two-judge majority, agreed with Safeco’s argument that the trial court erred in denying the motion to confess judgment and in having the case to proceed to trial. The trial court also reserved jurisdiction to determine the insured’s right to amend the complaint to add a bad faith claim and further held that if the insured prevailed in such a bad faith action, the insured would be entitled to recover the amount of the excess verdict as damages in that action. Following the verdict, the trial court entered a final judgment for the $50,000 UM policy limits. However, the trial court refused to enter judgment on the confession and the case proceeded to trial resulting in a $1,000,000 verdict for the insured. Safeco also tendered a $50,000 check to the insured. Shortly before trial, Safeco filed a motion to confess judgment in which it agreed to entry of a final judgment in favor of the insured for the $50,000 UM limits sought in his complaint. In Fridman, the insured filed a one-count complaint seeking recovery of the $50,000 UM limits provided by his policy. The Fifth District Court of Appeal recently issued an opinion in which the court held that an insurance company does not have to go forward with an unnecessary trial on a claim for UM benefits where the insurer is willing to concede the insured is entitled to and pays the UM policy limits. If you have your heart set on the look of mercury glass, there are several ways to duplicate the look for a tiny fraction of the cost if you're just a little bit crafty. Let's suppose you are not heir to Great Aunt Susie's silver collection nor her mercury glass, and your wallet is pretty well turned inside out from all the other wedding expenses. Can I Duplicate the Look of Mercury Glass? Pastel flowers such as pale pinks, ivory, and white look sensational in mercury glass bowls & vases, especially if you use those with a vintage look such as roses, peonies, the lowly carnation, and ranunculus. Additional water added to your vintage mercury glass vase may cause more discoloration, which you may not want. If you do score some genuine mercury glass, do take care to store it properly until the big day, wrapping it in acid-free tissue paper and keeping it from extremes in heat or cold.Īlthough you'll find vases and bowls that would look gorgeous with real flowers, you might want to consider putting another vase inside of the mercury glass to protect it or lining it with aluminum foil. If you come upon a piece with decals, stickers, or other markings, nine times out of ten, it's not going to be the real thing. Reproduction mercury glass tends to weigh less than the real thing, so keep that in mind as well. On eBay, in particular, you can find some good deals and some unique pieces, but you can't turn the piece in your hands, check for authentic tarnishing and the patina real mercury glass would have, or judge the weight of the piece. If you want true, vintage mercury glass, you're going to have to go out and look at thrift stores, antique malls, and on e-bay, but be careful about buying online if you are looking for authenticity. It's not like milk glass, where practically everyone has at least one rolling around under their kitchen sink or garage or can scrounge it up from relatives. Plus, although information out there tries to persuade us that mercury glass is readily available, it isn't. True, vintage mercury glass is expensive so unless you're marrying into some serious money or have it all on your own, you might want to think about renting the pieces. It really depends on two things: (1) if you are looking at authentic, vintage mercury glass and (2) how much money you have. A Gorgeous Table Setting Done With Mercury Glass Where Can You Find Mercury Glass?įinding mercury glass can be easy. |